| Issue | Title | |
| Vol 42, No 1 (2024) | The Axiological Dimension of Primitive Culture in Mikołaja Doświadczyńskiego przypadki by Ignacy Krasicki | Abstract PDF (Język Polski) |
| Artur Timofiejew | ||
| Vol 34, No 2 (2016) | The Cars that Ate the World. Images of vehicles in post-apocalyptic movies | Abstract PDF (Język Polski) |
| Andrzej Juszczyk | ||
| Vol 33, No 1 (2015) | The challenges of acculturation. An example of Stunden der Andacht by Fanny Neuda | Abstract PDF (Język Polski) |
| Agata Rybińska | ||
| Vol 37, No 2 (2019) | The Colour Names in Belarusian, Russian and Polish Toponymy: Frequency, Ways of Implementation of Semantics, Ethnic Meaningful Characteristics | Abstract PDF |
| Iryna Gaponenko | ||
| Vol 35, No 1 (2017) | The Concept of Language Personality in Linguistics | Abstract PDF (Русский) |
| Лариса Євтахіївна Азарова | ||
| Vol 37, No 1 (2019) | The Development of Polish Toponomastic Terminology | Abstract PDF |
| Urszula Cecylia Bijak | ||
| Vol 38, No 1 (2020) | The Diary of Wacław Sieroszewski as an Example of the Borderline between Literature and Historical Policy | Abstract PDF |
| Grażyna Legutko | ||
| Vol 35, No 2 (2017) | The Different Versions of Himself. The Fugue by Wit Szostak | Abstract PDF (Język Polski) |
| Anna Al-Araj | ||
| Vol 43, No 1 (2025) | The Ecological Concern and the World of Agriculture in Gaspard Koenig’s Novel Humus | Abstract PDF (Français (France)) |
| Magdalena Zdrada-Cok | ||
| Vol 40, No 1 (2022) | The Effect of Time and Increasing Skills on Language Anxiety Outcomes | Abstract PDF (Français (France)) |
| Sylwia Kalińska | ||
| Vol 38, No 2 (2020) | The Encomium of Polish Noblewomen in Jakub Sobieski’s Secular Funeral Speeches (the First Half of the 17th Century) | Abstract PDF |
| Małgorzata Ciszewska | ||
| Vol 38, No 2 (2020) | The Extraordinary Feminine Nature in Anne Richter’s Fantastic Stories | Abstract PDF |
| Agnieszka Loska | ||
| Vol 43, No 2 (2025) | The Father of the Homeland and Abandoned Daughter. The Emotions in Natalia Ginzburg’s The Manzoni Family | Abstract PDF (Język Polski) |
| Katarzyna Kowalik | ||
| Vol 32 (2014) | The first literary love – Czesław Miłosz on the early works of Jarosław Iwaszkiewicz | Abstract PDF (Język Polski) |
| Joanna Matyskieła | ||
| Vol 43, No 1 (2025) | The Fluctuations of the Czech Reception of Arthur Rimbaud | Abstract PDF (Français (France)) |
| Kateřina Drsková | ||
| Vol 35, No 1 (2017) | The Fourth World Power Henryk Sienkiewicz’s Report on the International Literary Congress in Paris in 1878 | Abstract PDF (Język Polski) |
| Cezary Mateusz Zalewski | ||
| Vol 41, No 2 (2023) | The Garden – Semiosphere in the Ecopoetry of Jean Tortel | Abstract PDF (Français (France)) |
| Mireille Mérigonde | ||
| Vol 43, No 2 (2025) | The Girlhood Archive of Affective Violence: Anna Ciarkowska’s Pestki as Emancipatory Autofiction | Abstract PDF (Język Polski) |
| Anita Głowacka | ||
| Vol 34, No 2 (2016) | The image of a post-apocalyptic country in Ziemowit Szczerek’s literary work | Abstract PDF (Język Polski) |
| Justyna Eliza Dąbrowska | ||
| Vol 39, No 2 (2021) | The Image of an Unmarried Woman in the Statements of High School Students (Linguistic and Cultural Sketch) | Abstract PDF (Język Polski) |
| Małgorzata Mac | ||
| Vol 38, No 2 (2020) | The Image of Maria Lazich in Afanasy Fet’s Prose Memoirs | Abstract PDF |
| Joanna Dziedzic | ||
| Vol 38, No 2 (2020) | The Image of the Wife in the Homiletics of Antoni Węgrzynowicz | Abstract PDF |
| Marzena Walińska | ||
| Vol 43, No 1 (2025) | The Image of Urbanization and the Healing of the Earth in Villa Aurore (1982) and Chanson bretonne (2020) by Le Clézio | Abstract PDF (Français (France)) |
| Natalia Nielipowicz | ||
| Vol 39, No 1 (2021) | The Influence of Literary Institutions on the Origin of Works. "Księżniczka" by Zofia Urbanowska as “a Fruit Fallen from the Tree of a Contest” | Abstract PDF (Język Polski) |
| Iwona Przybysz | ||
| Vol 39, No 2 (2021) | The Linguistic Image of Arabs in Polish Internet Comments | Abstract PDF (Język Polski) |
| Zofia Justyna Mikońska | ||
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