Risse unter der Oberfläche: Dekonstruktion des Mythos der perfekten Vorstadtfamilie in Celeste Ngs „Little Fires Everywhere”

Barbara Miceli

Der Beitrag enthält das Abstract ausschließlich in englischer Sprache.

Vorstadtfamilie; Vorstadt; Performativität; Habitus; kulturelles Kapital

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DOI: http://dx.doi.org/10.17951/lsmll.2026.50.1.55-64
Date of publication: 2026-03-04 09:17:48
Date of submission: 2025-05-31 17:54:50

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